Likkutei Sichos, Vol. 25: Parshas Vayeshev (Part 2)
Why Yosef's hatzlacha in Potiphar's house differed from his success in prison, and what an eved's halachic "hand" has to do with it.
Part of Likkutei Sichos: Volume 25 - Vayeshev · 25:07
Working through the Rebbe's analysis of Yosef's two forms of Divine success, this shiur traces how greater bitul makes a person more of a keli for hatzlacha elokis. A close look at the Avnei Nezer's resolution of the eved's kinyan-circularity (gito v'yado ba'in k'echad) explains why an eved, unlike a prisoner, still retains a "yad" and credit for his actions, setting up why Yosef's success in jail was a purer, less natural hatzlacha than what he had as Potiphar's servant.
Audio Transcript
After the Rebbe explained the difference between the two situations of Yosef, when he was an 注讘讚 by Potiphar, then the hatzlachah was came from Hashem, and you could see it came from Hashem, but it was all within what he did, 讛砖诐 诪爪诇讬讞 讘讬讚讜, in his hand, his maaseh showed that it's hatzlachah from Hashem. But when he was in jail, there it's 讛砖诐 诪爪诇讬讞. It was complete hatzlachah that wasn't even connected to his maaseh. And that's the diyuk, the answer for the two the different diyukim in the pesukim. And then the Rebbe started explaining what's the reason take for the difference. So he says like this: So we started here on page 214, we're holding the beginning of page 215. When is a person a keli to Godly things? If you have bittul. A person is a baal gaavah, person has feels his own ego, it's a contradiction to Elokus. Bittul is a keli to Elokus. To have 讛爪诇讞讛 讗诇讜拽讬转, to have Godly hatzlachah depends on your bittul. So obviously, when we said there are two levels of how the Godly hatzlachah comes, obviously it depends on the two levels of bittul. Want to turn around? Because I like to see panim el panim. Good. So obviously, the two levels of hatzlachah depend on levels of bittul. If you have more bittul, so then you're a bigger keli to Elokus, umimeila the hatzlachah is in a higher level, hatzlachah where Elokus is felt more. If you have bittul, but a lower level of bittul, then the 讛爪诇讞讛 讗诇讜拽讬转 is not so strong, umimeila it comes take, but it comes through your 诪注砖讛 讬讚讬诐. So obviously, when he was an 注讘讚 in Potiphar's house, his bittul was not as great as his bittul was when he was in jail. And this is what the Rebbe explains. On top of page 215:
讗讜谉 讗讬谉 讚注诐 讘讗砖讟讬讬讟 讚注专 讞讬诇讜拽 爪讜讜讬砖谉 讚注专 诪爪讘 驻讜谉 讗谉 注讘讚, this is the difference between the 诪爪讘 of when you're a a slave servant, but be'emet an eved is a slave, 讜讘驻专讟 讘讘讬转 驻讜讟讬驻专, certainly a slave in the house of Potiphar who was a 砖专, was an officer, and not 住转诐, 砖专 讙讚讜诇 诪住转诐 砖专讬 诪爪专讬诐, a bigger officer than stam officers in 诪爪专讬诐. So the difference between that situation 讗讜谉 讚注专 诪爪讘 驻讜谉 讗谉 讗住讬专 讘讘讬转 讛讗住讜专讬诐, and the 诪爪讘 of a prisoner in prison, and the difference is like this: An eved, 讗祝 注诇 驻讬 诪讛 砖拽谞讛 注讘讚 拽谞讛 专讘讜, even though by an eved we know that he has no metziut, whatever an eved owns his master owns, 讗讝 注专 讗讬讝 驻讗专 讝讬讱 谞讬砖讟 拽讬讬谉 诪爪讬讗讜转, for himself he's not a 诪爪讬讗讜转, 诪讬讬谞讟 注住 讗讘注专 谞讬砖讟 讗讝 住'讗讬讝 讘讻诇诇 谞讬砖讟讗 拽讬讬谉 诪爪讬讗讜转, it doesn't mean he's not a metziut at all. Let me explain. By an eved, we find that he is be'emet not a metziut. That's why if the eved is koneh something, it goes to the 讗讚讜谉. And in 讛注专讛 the Rebbe brings the pshat, 讛注专讛 15, 讜专讗讛 专砖讘\"讗 讘拽讬讚讜砖讬谉, 砖诪诇讻转讞讬诇讛 谞拽谞讛 诇专讘讜. By an eved, when an eved is koneh something, lechatchilah his master gets it. Meaning like this: We find this expression, and I'm explaining it even though it doesn't say here, but that's needed for the pshat. Even though we find this expression 诪讛 砖拽谞讛 注讘讚 拽谞讛 专讘讜 also by somebody else, by who? 诪讛 砖拽谞转讛 讗砖讛 拽谞讛 讘注诇讛. Whatever a woman acquires, her husband gets. But the Rashba explains that there is a difference. By an ishah, she is koneh something, it becomes hers. Whatever she owns goes to the husband. So when she picks something up and she is koneh, who is koneh? She is koneh. \"讗讬\" we say 诪讛 砖拽谞转讛 讗砖讛 拽谞讛 讘注诇讛, her husband gets? Yes, whatever she gets and she starts with, she is koneh, the din is goes to her husband. By an eved, it's different. When we say 诪讛 砖拽谞讛 注讘讚 拽谞讛 专讘讜 means that when the eved picks something up, it's his master picking up. It's not the peshat it goes to him and then from him it goes to the master, his hand is basically the hand of the master, the hand of the adon. So that shows mamash how really he's no 诪爪讬讗讜转. When he picks it up, it's the as if the master is picking up. Nevertheless, the Rebbe says you can't say he doesn't exist, he's no 诪爪讬讗讜转 at all, 注住 讗讬讝 讘驻讬专讜砖 驻讗专讗谉 讗 诪爪讬讗讜转 注住 讗讬讝 讜讜讗住 讟讜讟 讗讜讬祝. When the eved works and accomplishes, there is this guy who accomplishes, va'afilu gedolot, sometimes you can have an eved who accomplishes great things. 讚讗住 讗讬讝 讚讗讱 讚讬 诪讟专讛 驻讜谉 an eved, that's the whole purpose of getting an 注讘讚, 爪讜 讗专讘注讟谉 讗讜谉 讗讜讬驻讟讗谉, you need an eved to work for you. And sometimes you have an eved who's very talented, and will do a lot of things for you. So, if someone will ask, who did this? If a person has an eved, and an eved does something and makes something nice, he gets the credit for it. We're just saying that he did it only for his master, he doesn't have any rights of his own, let's call it, he doesn't have any rights, and he doesn't have, it's everything for his master, that's what he says. 谞讗专 讗讝讜讬 讜讜讬 注专 讗讬讝 谞拽谞讛 诇专讘讜, since he's belongs to his master, 讗讬讝 讚注专讬讘注专 讝讬讬谉 讙讗谞爪注 讗专讘注讟 讗讜谉 讗讜讬驻讟讜, everything he does, everything he accomplishes, 讗诇住 注讘讚, 谞讬砖讟 讗 讝讗讱 讜讜讗住 讘讗诇讗谞讙讟 爪讜 讗讬诐, it's not something that belongs to him, 谞讗专 诇专讘讜, belongs to his master because he's an eved. But he, lefo'al, is somebody, and he will get the credit if he's an eved that does good things, if he's able to paint, he's an artist. So, this he will get credit for the art, piece of art that he made. On the corner of the art, he will write his name. He will put his signature there because he did it. Ela mai, whatever he did is for the benefit of his master, because he doesn't belong to himself, he belongs to his master. 诪讛 砖讗讬谉 讻谉 an asir, but a prisoner is 注谞讬谞讜 谞讬砖讟 爪讜 讟讗谉 讗讜谉 讗讜讬驻讟讗谉. A prisoner is not there because you need somebody to work for you, somebody to accomplish things for you, that's not what a prisoner is. 谞讗专 诇讛讬驻讱, the opposite, 注专 讗讬讝 讗住讜专. What's 讟讬讬讟砖 讗住讜专? What's an asir? In Hebrew, a prisoner, asir. What's 讟讬讬讟砖 讗住讜专? Tied. He's tied down, gebunden, he's tied, 驻讗专爪讗诪讟, limited, 讜诪住讜诇拽 驻讜谉 讚注专 诪注讙诇注讻拽讬讬讟 爪讜 讗专讘注讟谉. 驻讗专拽注专讟, we hold him back from giving him an opportunity to work, 讗讜谉 讟讗谉 注驻注住, and to do something, 讗驻讬诇讜 爪讜 讜讜讗住 注专 讗讬讝 诪住讜讙诇 讜诪讜讻砖专, even to do something that he's capable of doing. An asir means that's not that's not why he's in prison. In prison is just to stop him from doing things that he could do. 注专 讗讬讝 讘讻诇 讝诪谉 讜讘讻诇 注谞讬谉 谞讬砖讟 拽讬讬谉 诪讛诇讱, all his time and all things he has, he's not doing it, not a 诪讛诇讱, not someone who's growing. 注诇 讗讞转 讻诪讛 讜讻诪讛, 谞讬砖讟 拽讬讬谉 讛讜诇讱 诪讞讬诇 讗诇 讞讬诇, it doesn't go 诪讞讬诇 讗诇 讞讬诇. So, comes out that where is there a person where is the person less 诪爪讬讗讜转, which is more bitul, when you're a prisoner. And as the Rebbe looks in, a prisoner doesn't get credit for anything. You don't know, if a prisoner does something, when you have these labor camps and the prisoner works, the individual prisoner doesn't get any credit. You say, \"Oh, this this government got this done.\" How did they get it done? They had all these prisoners working for them. But the individual prisoners doesn't exist. Basically in a prisoner, I don't know if the prison in America would fall under this category of this type of prison, cuz, but the real prison the way it used to be, or mistama is still now in the Arab countries and in the in the in in the third world countries, you're basically a number, that's what you are. You're not you're not a human being. In America it's not, it's 谞讜讙注 诇讛诇讻讛, because when the Gemara says that 驻讚讬讜谉 砖讘讜讬讬诐, to give money to free a prisoner is the greatest tzedakah possible, so some question if that applies to America, too. If someone is going to jail, or someone is in jail and you have to give money to take him out of jail, or to prevent him from going to jail, so we refer to it that's giving money for 驻讚讬讜谉 砖讘讜讬讬诐, but in halacha, it's lo davka, because amal in jail, they were, Gemara says, in jail it's it's you have all kinds of 爪专讜转, you don't have food and your life is in danger and everything. So, I don't know. Now, maybe the the jail, the the the what's it called, a jail type where you have murderers and things like that, there could be, probably. No. Have to give, I'm saying is that more than any other tzedakah. If a person doesn't have food, you also have to give tzedakah. Oh, no, that's good! That you have to put him in jail. We're talking about a person who shouldn't be in jail. 讚讗住 驻讗专砖讟讬讬讟 讝讬讱, there are people who belong in jail, yeah, you should have them in jail. Yeah, but the so if the danger is bigger, he shouldn't be in jail. I'm saying that's, we're not talking this, is should he be in jail, should he not, but when we say a person who doesn't belong in jail, who shouldn't be, and the and the goyim have him in jail, is this a 讙讚专 of 驻讚讬讜谉 砖讘讜讬讬诐 nowadays? So, I'm saying that it's not so pashut. It's not 谞讜讙注 to this sicha, I'm saying the sicha says that when you're in jail, you're not a metziut. I don't know if it's so here, especially if a blue-collar or a white-collar prisoner who is there for evading taxes, he's not a number. It's almost like he's five-star hotel that's in jail. His only thing is he can't leave, and he's locked in and he has to stay there, and there are certain times he has to eat and certain times he has to, but it's different. In in the jail where you are together with 专讜爪讞讬诐, with with murderers, maybe takeh it's like, but the bottom line is that in the jail the the way jail was amal, you are takeh nothing. You're no metziut. It's not like an 注讘讚. An 注讘讚 is no metziut either, but this is a different type of no metziut. You're takeh nothing. The Rebbe continues umehai ta'ama, and therefore, 讗驻讬诇讜 讗诐 讗讬讝 诪讻专讬讞 讗谉 讗住讬专 爪讜 讟讗谉 讗 诪诇讗讻讛 讜讻讜, even when you force a prisoner to do some kind of work, 讛讚讬 诪诇讗讻讛 拽讬讬谉 讬讞住 谞讬讟 诪讬讟 讗讬诐 讗诇住 讚注专 驻讜注诇 驻讜谉 讚注专 诪诇讗讻讛, the work that he did doesn't have any connection to him, you don't give him the credit, you don't say he did it. There's no he. By an 注讘讚 is 讚注专 驻讬专讜砖, by an 注讘讚 we say, pshat is like this: 讗讚讗谞拽 讚讗住 注专 讗讬讝 专讻讜砖 砖诇 讗讚诐, since he's property of his master, 讗讬讝 讗讱 讝讬讬谉 讬讚 讜注砖讬讬讛 谞讬拽谞讬转 诇诪讚转讜, so his hand and whatever he does belongs to the master. 住'讗讬讝 讗讘注专 讚讗 讗 讬讚 讻讞诇拽 诪谉 讛注讘讚, there is a 讬讚, the 注讘讚 has a 讬讚. And the 注讘讚 is a person who could do things. And when he does things he does get credit. Whatever he does is for the master. 讻讞诇拽 诪讙讜驻讜 注讘讚, he has a 讬讚 which is his 讬讚. That's what we say he has a 讬讚. And I want to explain in halacha soon an inyan in 谞讙诇讛 on this inyan that 注讘讚 has a 讬讚. 诪讛 砖讗讬谉 讻谉 讗谉 讗住讬专, but a prisoner, 讜讜讗住 讻诇 注砖讬讜转讬讜 讝注谞注谉 谞讗专 讜讜讗住 诪'讗讬讝 讗讬诐 诪讻专讬讞 爪讜 讟讗谉. What does a prisoner do? Only what he's forced to do. He can't do anything on his own. Even if he has free time, there's no such thing, a prisoner every second is told what to do and you can't just sit down and do something. You can't sit down and paint if you want to, unless they give you permission, or they want you to do it. 诪'拽注谉 谞讬讟 讝讬讬谉 注砖讬讬讛, so when he does something it's not he that did it. So let me just explain it a little bit. Where do we see that 注讘讚 has a 讬讚 in halacha? So let me explain it, listen to this. This is noge'a sometimes to a shiur. The truth is I had it in mind to mention this in this morning's shiur because it had to do with it. In order for an 注讘讚 讻谞注谞讬, we're talking about 注讘讚 讻谞注谞讬 who's property of his master in halacha, to become free. How do you free an 注讘讚 讻谞注谞讬? Give him 砖讟专 砖讞专讜专. As soon as he's 拽讜谞讛 the 砖讟专 砖讞专讜专, he becomes free. Like a 讗砖讛, for a 讗砖讛 to become free, you give her a 讙讟. The moment she gets the 讙讟 in her hand, she's 拽讜谞讛 the 讙讟, she's free, she's not married. An 注讘讚 also. The moment he's 拽讜谞讛 the 讙讟, the 讙讟 砖讞专讜专, or 砖讟专 砖讞专讜专, he becomes free. Didn't we say that 诪讛 砖拽谞讛 注讘讚 拽谞讛 专讘讜? Whatever an 注讘讚 gets belongs to his, he doesn't have his own 拽谞讬谉. So how could he be 拽讜谞讛 砖讟专? How could an 注讘讚 讻谞注谞讬 be 拽讜谞讛 the 砖讟专 砖讞专讜专 in order to become free? The answer is 讙讬讟讜 讜讬讚讜 讘讗讬诐 讻讗讞讚. Very good. That's the answer, the Gemara gives that answer. What does that mean? That when you give him the 砖讟专 to make him free, that itself at the same time he gets his 讬讚. Because be'emet it's a circle. In order to become free he has to have a 讬讚 to be 拽讜谞讛 the get. In order to get the yad to be koneh the get, he has to become free. So what is this? This is a catch-22. This is a circle. Where do you start? So we say 讙讬讟讜 讜讬讚讜 讘讗讬诐 讻讗讞讚, they come together. So when he gets the get, the freedom and the yad gets together.
Comes the Avnei Nezer, listen to this, and the Avnei Nezer asks a she'elah: how in the world can we say 讙讬讟讜 讜讬讚讜 讘讗讬诐 讻讗讞讚? Doesn't it have to start someplace? And he gives an example. I'll give you another example where there is a catch-22 and it doesn't work. Listen to this example, a very interesting example. To be 拽讜谞讛 拽专拽注, to be koneh a house. One of the ways you can be 拽讜谞讛 拽专拽注 is with a shtar. 谞讻住讬诐 砖讬砖 诇讛诐 讗讞专讬讜转, which means houses, land, you could be koneh, nu, with three ways: 讘讻住祝, 讘砖讟专 讜讘讞讝拽讛. One of the ways is shtar. If I want to be makneh to you my house, I write a shtar I'm giving you my house. The moment you are koneh the shtar, the house is yours. Fine. Then there's another din. Are you guys in the back following the din I'm talking about now? Because it's, happens to be an interesting din. To be interesting you have to be interested, otherwise it's not interesting. It's a catch-22. What happens if you don't catch? So that's one din. Again, if you're koneh the shtar, you're koneh the house. Then there's another din, that a person's house. can be koneh things for him. If I want to give you something, I could put it into your chatzer. It's one of the kinyanim. If you have a chatzer, you have a house, and I want to be makneh you this, and you're not around, I could just put it into your chatzer. The moment it goes into your chatzer, you're a koneh. So what happens if I want to give you my house as a present? I'll write a shtar, put it into my house, and I'll say, \"讙讬讟讜 讜讬讚讜 讘讗讬谉 讻讗讞讚.\" It's a Catch-22 here. In order for you to be koneh the house, you have to be koneh the shtar first. The shtar makes it the house. In order to be koneh the shtar, you have to own the house, you have to be koneh the house. So what's the din in such a case? You have nothing to do, you don't even know I want to give you the house. I'll write a shtar here, you're someplace in New York, I'm going to write a shtar here to you, put it into my house, and you'll be koneh the house. That's That's not true, that doesn't work. Makes no sense. You have no shaychut, not to the house, not to the shtar, you have nothing to do here. How all of a sudden you'll be koneh? There's no beginning. In other words, he asks the she'elah. In order for to say that the two things come together 讘讗讬谉 讻讗讞讚, there has to be some beginning, has to start someplace, but it starts nowhere. You have no shaychut, not to the house, not to the shtar, the shtar is not yours, you never got the shtar, you never got the house, how in the world do you get the house? So he says clearly, this ain't going to work, there's no such thing as doing this. So he gives a klal. This din of 讙讬讟讜 讜讬讚讜 讘讗讬谉 讻讗讞讚, shake the table, the din of 讙讬讟讜 讜讬讚讜 讘讗讬谉 讻讗讞讚 only works if there's a beginning. By the eved, he says there is a beginning. What's the beginning? Before you give the eved the shtar, he has a yad. The eved has a yad. As much as we say that whatever he's koneh is for the adon, that's be'emet he has a yad. There is only something that is me'akev, something that holds back from the yad working. What holds back the yad from working? The fact that he's an eved, the fact that he has a master, he has an adon, so that's all. So there is some beginning there. He has a shayach, he has a yad. So he says, when there is here a beginning, so therefore you could say 讙讬讟讜 讜讬讚讜 讘讗讬谉 讻讗讞讚. Since he has a yad, so all the shtar has to do, not create something new, doesn't have to create the eved to have a yad to be koneh, he has a yad to be koneh. Just has to take away a meniah, something that's holding back. For there we say the concept of 讘讗讬谉 讻讗讞讚. But in the case of the chatzer with the shtar, there is no beginning. Has nothing to do with the guy. He has nothing to do with the shtar, has nothing to do with the 讞爪专. So there there it doesn't work, then we won't say ba'in k'echad. That's the Avnei Nezer's chiddush, which is brought down in many acharonim later. I'm sure that before the Avnei Nezer, who didn't live so long ago, everyone understood the 讙讚讜诇讬 讬砖专讗诇, no one writes it. Everyone understood it by themselves, but he's the one that is brought down now, he writes it because he makes it very clear that 讙讬讟讜 讜讬讚讜 讘讗讬谉 讻讗讞讚, when we say two things happen at the same time, is only if there was some way to start, some shaychut it has from the beginning. There's a Ketzos about it, but the Ketzos doesn't say that that vort, but What am I bringing it out here for? Because the Rebbe says here the difference between an eved and a prisoner is a prisoner doesn't have any metziut, an eved has a metziut. And the Rebbe uses the 诇砖讜谉 that the eved has a yad. The same 诇砖讜谉 the Avnei Nezer uses. He has a yad, 讗诇讗 诪讗讬 the yad is blocked. It's called 讗专讬讛 讛讜讗 讚专讘讬注 注诇讬讛, it's an expression in Gemara. It's like a lion that's laying over it. You can't do anything with it because there's something blocking it, but it's there. And therefore you could say 讙讬讟讜 讜讬讚讜 讘讗讬谉 讻讗讞讚. So this is what the Rebbe says. Does he bring the Avnei Nezer here? No. Thought maybe he brings him. What does it say in 20? No, that's something else. 19. No, it says something else here. Okay. Well, I'm just thinking now, Im yirtzeh Hashem at the end of the year we're going to give out a sefer, Shaarei Yeshiva Gedolah, 讞诇拽, which one? Which one was the last Which one was last year's? 讻状讝. So everyone has to write something, everyone is expected to write. Someone could write up this inyan here, this this sichah, but to connect this what the Rebbe says here that that the eved has a yad with this Avnei Nezer, where the where it says there clearly the eved has a yad, even though 诪讛 砖拽谞讛 注讘讚 拽谞讛 专讘讜 and he doesn't have a yad, he doesn't have anything, but there is a yad the Rebbe says, it fits to the Avnei Nezer. The Rebbe doesn't bring it here, so someone else could metzayen and 讟讬讬讟砖 this. Okay. And whoever writes it, I told you a hundred times, a hundred times, the vort of the Rabbi Akiva Eiger, he said to his talmidim, I don't care if you say my chiddushim in your name, just don't say your chiddushim in my name. That he didn't want. Were all these things known before? If it's not brought down in in a in a time frame before that, does that mean that it was just known by everybody? I imagine, because otherwise it's a moradike kashya. And a lot of things we find in the So the rishonim didn't write So many things the acharonim write and the rishonim didn't write, you think they didn't know it? And the things 诪诪砖 注谞讬谞讬诐 which are so important to understand the sugya, but to them it was so pashut, they didn't even have to write it. So I'm assuming this is one, because this is a real 驻砖讜讟注 注谞讬谉. So why is it a chiddush? No, it's a chiddush to be written, to say it, they didn't write it down. But I'm sure they took it for granted without even saying it. It was they didn't have to come to it, it was automatic in their mind. Okay, we're going to get off that sugya. So he says like this. So an 注讘讚 has a 讬讚. Mah she'ein ken an 讗住讬专, by the prisoner, 讜讜讗住 拽讬讬谉 注砖讬讛 讗讬讝 谞讬砖讟 讝讬讬谞注, 谞讗专 讜讜讗住 诪'讗讬讝 诪讻专讬讞 爪讜 讟讗谉, 讗讬讝 诪讜讻专讞, 谞讬砖讟 讝讬讬谉 注砖讬讛. They force him to do, so it's not him. 讜注诇 讚专讱 讜讜讬 讚讬 讗讞专讜谞讬诐, the Rebbe gives a different example, 讜讜讬 讚讬 讗讞专讜谞讬诐 讝讬讬谞注谉 诪讘讗专 讚注诐 注谞讬谉 驻讜谉 讗讜谞住 专讞诪谞讗 驻讟专讬讛. The acharonim in an 讗讞讜专 The acharonim he brings at the bottom: Beit HaOtzar was written by the Beit HaOtzar 诪注专讻转 讗诇祝 讻诇诇 讻状讚, who wrote the Beit HaOtzar? Rabbi' Yosef Engel. What else did he write? Yes, Rabbi' Yosef Engel, yeah. What else did he write? The Atvan deOraita. What else did he write? The Lekach Tov? Yeah? And he had wrote more sefarim. He was His sefarim are gevaldik, his sefarim are moradik. There was once a long farbrengen by the Rebbe to be masbir
the similarity and the difference between Rabbi' Yosef Engel and the Rogatchover. A few sichot in a row. The difference and the similarity between the two, because R'' Yosef Engel wrote the same style. The difference is When was it? I don't know, 诪状讘, 诪状讙, I don't know. The diff- Because be'emet, the Rogatchover brings on everything, he brings 诪专讗讛 诪拽讜诪讜转, different things. And R'' Yosef Engel, every thing he has, he brings a re'ayah from this Gemara, farkert, this Gemara, farkert. But the difference is, R'' Yosef Engel's way of writing is so clear and so smooth, you could pashut read it almost. And the Rogatchover, the way he writes, you'll learn it ten times, you won't understand a word he's writing. He writes, bichlal he writes very short, but besides short, he writes very It's hard to say on on on a 讙讚讜诇讬 讬砖专讗诇 like that, but he pashut didn't know how to write. He pashut had Yeah, he didn't have the chush of writing. He wrote, 讛讜讗 注谞讬谉 讻讻讛, 讛讜讗 注谞讬谉 诇讗 讻讻讛, this this, very very bekitzur. 讝讛 注爪诐 讝讛 注爪诐 讝讛 爪讬讜专 讝讛 this, it's very abstract words and very hard to understand. And R'' Yosef Engel writes so clear and so smooth, so geshmak, it's just to read it. You could almost I mean, unless you don't understand the inyanim, but if you understand, if you mis- Gemarot, you understand. And even when he brings Gemarot, in parentheses he brings what the Gemara is talking about. You could almost lay in bed before you fall asleep and read it, R'' Yosef Engel's sefarim. A good idea! I have a suggestion for you: you should read Lekach Tov every night before you go to sleep. That's the best thing. Read Lekach Tov, or Beit HaOtzar, or the other Sefer Shiv'im Panim LaTorah. He has a Sefer Shiv'im Panim LaTorah, seventy tirutzim on one kushya. It's called Shiv'im Panim LaTorah, seventy tirutzim on one kushya. Okay, so R'' Yosef Engel writes here 讘谞讜讙注 讚注诐 注谞讬谉 驻讜谉 讗讜谞住 专讞诪谞讗 驻讟专讬讛. When a person does something by force, an aveirah by force, the Torah exempts him from punishment. So he says 讗讝 讚讗住 讗讬讝 讚注专驻讗专 讜讜讗住 讜讜讬讘讗诇讚 注专 讛讗讟 注住 讙注讟讗谉 讗讬谉 讙讗谞抓 谞讬砖讟 讘专爪讜谞讜, since he does it completely against his will, he was an ones, 谞讗专 讙注爪讜讜讗讜谞讙注谞注专讛讬讬讟, he was forced, 讗讬讝 注住 讻讗讬诇讜 注专 讛讗讟 讚讬 诪注砖讛 谞讬砖讟 讙注讟讗谉. It's as if he didn't do it. 住'讗讬讝 谞讬砖讟 讝讬讬谉 注砖讬讛, 谞讗专 讻讗讬诇讜 谞注砖讛 诪讗诇讬讜, he says. It's not that he did it, as if it happened by itself. Actually, Rabbi' Yosef Engel has a chakirah, what's the geder of ones, which is connected to the three inyanim we spoke about this morning. And it's late, so maybe tomorrow we'll continue. But the point here is that if you do something by force, it's not you. A prisoner, whatever he does is by force, so it's not him. He has no himself. So Yosef being a prisoner had a greater bitul than he was an eved by Potiphar. Greater bitul. What about when he became king? Ah? When he became king, what was his bitul? You'll see by him. All right, Kodashim. 住讚专 讙讬专住讗, 住讚专 讙讬专住讗. Just look and give him a check on both sides. What? What's that? Where's the manager? This is what he gets for annoying me every morning. I'll be back in five minutes. Just to piss him off more.