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DAYS ON THE JEWISH CALENDAR: AV

Shabbat Chazon

Why the Berditchever's mashal of a father showing his son a garment, not a house, explains what it means to glimpse the third Beis HaMikdash on Shabbos Chazon.

Part of Days on the Jewish Calendar: Av · 16:27

Shabbos Chazon takes its name from the yearly sight of the future Beis HaMikdash that every neshamah is shown, even though most people never consciously see it, a phenomenon compared to the Gemara's account of mazal perceiving Daniel's vision. A detailed comparison of the mashal's choice of a garment over a house shows why a garment's fit to the wearer's exact measurements better captures how each part of the Beis HaMikdash channels its own specific level of kedushah. Because the third Beis HaMikdash will be built by Hashem Himself rather than human hands, that inner structure will be revealed openly, extending to the whole world being revealed through the Asara Maamaros when Moshiach comes.

Audio Transcript
Shabbos Chazon: The Berditchever's Mashal of the Father, the Son, and the Third Garment

The 砖讘转 before 转砖注讛 讘讗讘, or if 转砖注讛 讘讗讘 itself is 砖讘转 and then you fast on Sunday, so then the 砖讘转 of 转砖注讛 讘讗讘 is called 砖讘转 讞讝讜谉. The simple reason why it's called 砖讘转 讞讝讜谉 is because the 讛驻讟讜专讛 of that day starts with the words 讞讝讜谉 讬砖注讬讛讜, and therefore it's called 砖讘转 讞讝讜谉. But in the 住驻专 讗讜专 讛转讜专讛 注诇 谞状讱, it brings down in the name of 专讘 诇讜讬 讬爪讞拽 讘讗专讚讬讟砖注讜讜注专 that the word 砖讘转 讞讝讜谉 comes from the word 诪讞讝讛. 诪讞讝讛 means sight. And he says why is this called 砖讘转 讞讝讜谉? Because in this 砖讘转 they show every person the 讘讬转 讛诪拽讚砖 讚诇注转讬讚 诪专讞讜拽. They show every 讗讬讚 the third 讘讬转 讛诪拽讚砖 from far. And that's why it's called 讞讝讜谉 诪诇砖讜谉 诪讞讝讛, from 诇砖讜谉 sight. And he gives a 诪砖诇 of a father and a child, that a father made a new 诪诇讘讜砖, a new garment for his son, and the child tore it 诇讻诪讛 拽专注讬诐, tore it in many pieces. So the father made him another 诇讘讜砖, another garment, another suit, and the child tore it again. So then, the father made for his son a third 诇讘讜砖, a third suit, but he didn't give it to him to put on. But from time to time, he picks it up and shows it to his son, and he says to him, you see, if you're going to go 讘讚专讱 讛讬砖专, in the right path, then I will give this to you to wear. And through the father showing him the the son the suit from time to time, this trains the child to go 讘讚专讱 讛讬砖专, till it becomes like a 讟讘注, like a nature in the child, and then afterwards, the father gives the child the suit to put on. And the same is concerning the 讘讬转 讛诪拽讚砖. First 讛砖诐 gave us one 讘讬转 讛诪拽讚砖 and was destroyed. Then He gave us a second 讘讬转 讛诪拽讚砖, was destroyed. We caused it to be destroyed. So now, 讛砖诐 made the third 讘讬转 讛诪拽讚砖, but He doesn't give it to us yet. He just, every year, in the 砖讘转 before 转砖注讛 讘讗讘, He shows it to us. And by doing this, He says, look, here is the 讘讬转 讛诪拽讚砖 讛砖诇讬砖讬, if you're going to go in the 讚专讱 讛讬砖专, I will give you the 讘讬转 讛诪拽讚砖 讛砖诇讬砖讬. But 诇讻讗讜专讛, one might ask: what do we gain by 讛砖诐 showing us the 讘讬转 讛诪拽讚砖 讛砖诇讬砖讬 when we don't really see it? For sure 爪讚讬拽讬诐 see it, but ordinary people don't see it. And the 讘讗专讚讬讟砖注讜讜注专 does not say that He shows it to just to 爪讚讬拽讬诐. As the 诇砖讜谉 is there, 诪专讗讬谉 诇讻诇 讗讞讚 讜讗讞讚 讛诪拽讚砖 讚诇注转讬讚, He shows everybody the 讘讬转 讛诪拽讚砖 讚诇注转讬讚. But 诇讻讗讜专讛, most people don't see it, so what's the use of 讛砖诐 showing it to us?

How a Vision We Don't Consciously See Still Affects Us: The Proof From Daniel

But the answer is very simple. Just like the 讙诪专讗 says in 诪讙讬诇讛 讚祝 讙 注诪讜讚 讗 and also in 住谞讛讚专讬谉 讚祝 爪讚 注诪讜讚 讗 concerning the 驻住讜拽 in 讚谞讬讗诇 拽讗驻讬讟诇 讬 驻住讜拽 讝: 讜专讗讬转讬 讗谞讬 讚谞讬讗诇 诇讘讚讬 讗转 讛诪专讗讛, 讚谞讬讗诇 said, I myself 讚谞讬讗诇 saw the vision, 讜讛讗谞砖讬诐 讗砖专 讛讬讜 注诪讬 诇讗 专讗讜 讗转 讛诪专讗讛, but the people that were with me did not see the vision, 讗讘诇 讞专讚讛 讙讚讜诇讛 谞驻诇讛 注诇讬讛诐, but a great fear fell upon them, 讜讬讘专讞讜 讘讛讞讘讗, and they ran away to hide. And the 讙诪专讗 asks: 讜讻讬 诪讗讞专 讚诇讗 讞讝讜, 诪讗讬 讟注诪讗 讗讬讘注讜转? Since they didn't see, why did they get scared? And the 讙诪专讗 answers: 讗祝 注诇 讙讘 讚讗讬谞讛讜 诇讗 讞讝讜, 诪讝诇讬讬讛讜 讞讝讜. Even though they did not see, their 诪讝诇 saw. Which means that it's not the 驻砖讟 that the people that were there with 讚谞讬讗诇 got scared because 讚谞讬讗诇 saw the 诪专讗讛. The reason they got scared was because their 诪讝诇 saw the 诪专讗讛. And the way their 诪讝诇 saw the 诪专讗讛 affected them down here, that they down here got scared. The same is in our 注谞讬谉. When we say that 讛砖诐 shows every 讗讬讚 the 讘讬转 讛诪拽讚砖 讛砖诇讬砖讬, the truth is we down here don't see it. It is only our 诪讝诇 above in 砖诪讬诐 that sees it. But just like in the story of 讚谞讬讗诇, when the 诪讝诇 up there saw it, it affected them down here the way they were in this world, so too are we affected by this fact that the 诪讝诇, our 诪讝诇 sees the 讘讬转 讛诪拽讚砖 讛砖诇讬砖讬, and it affects us the way we are down here. And just like over there the 诇砖讜谉 is 诪讝诇讬讬讛讜 讞讝讬, the word 讞讝讬 which means to see, in our case the 诇砖讜谉 is also 讞讝讜谉, the same 诇砖讜谉 as 讞讝讬, that our 诪讝诇 sees, 讞讝讬, 讞讝讜谉, the 讘讬转 讛诪拽讚砖 讛砖诇讬砖讬, and that affects us the way we are down here. That just like in the 诪砖诇 that he said, that when the child sees the garment from time to time, it makes him go in the 讚专讱 讛讬砖专, and it makes it as if it becomes a nature that he goes in the 讚专讱 讛讬砖专, so the fact that our 诪讝诇 sees the 讘讬转 讛诪拽讚砖 讛砖诇讬砖讬 on 砖讘转 讞讝讜谉 also affects us that it helps us go in the 讚专讱 讛讬砖专. But 诇讻讗讜专讛,

Why a Garment, Not a House? Measuring the Beis HaMikdash Against the Person

we have to understand: since this is a 诪砖诇 given by 专讘 诇讜讬 讬爪讞拽 讘讗专讚讬讟砖注讜讜注专, so definitely the 诪砖诇 is 诪讚讜讬拽, every part of the 诪砖诇 is exact. Now 诇讻讗讜专讛, if every part of the 诪砖诇 is exact, why did he give a 诪砖诇 of a 诇讘讜砖, of a garment, not a 诪砖诇 of a house? The garments were the 诪砖诇 to the 讘转讬 诪拽讚砖. Now each 讘讬转 讛诪拽讚砖 was a 讘讬转, was a house, which is a 讚讬专转 拽讘注, which is a permanent dwelling place. The 诪砖讻谉 was a temporary place. As the 驻住讜拽 says in 砖诪讜讗诇 讘', 拽驻讬讟诇 讝', 驻住讜拽 讜': \"讜讗讛讬讛 诪转讛诇讱 讘讗讛诇 讜讘诪砖讻谉\", 讛砖诐 said, \"I was going in an 讗讛诇, in a tent\", but the 讘讬转 讛诪拽讚砖 is already a 讚讬专转 拽讘注, the first one, the second one, and the third. So why when he gave a 诪砖诇, he gave a 诪砖诇 of a 诇讘讜砖? What is the 注谞讬谉 of a 诇讘讜砖, of a garment? A garment is as the 驻住讜拽 says in 转讛诇讬诐, 拽驻讬讟诇 拽\"讘, 驻住讜拽 讻\"讝: \"讻诇讘讜砖 转讞诇讬驻诐 讜讬讞诇驻讜\", you change it like a garment. A garment is a temporary thing, something that you change. When it says in 驻住讜拽, \"砖诪诇转讱 诇讗 讘诇转讛\", concerning the 讗讬讚谉 when they were in the 诪讚讘专, it says that your garments did not rot, 驻住讜拽 in 注拽讘, 拽驻讬讟诇 讞', 驻住讜拽 讚'. That was a special 谞住, because normally, a garment lasts for a short while, and then you have to change it. So since here, he could have given the same 诪砖诇 of a house, why did he give a 诪砖诇 of a garment? He could have given a 诪砖诇 of a father who built a house for his son, and the son destroyed it, then he built a second one and he destroyed it, so he built him a third one, and from time to time he lets him see it, and tells him that if you'll go on 讚专讱 讛讬砖专, I'll give it to you. So why did he have to give a 诪砖诇 from a 诇讘讜砖, not a 诪砖诇 from a house? So we must say that even though a house is a better 诪砖诇 for the 讘讬转 讛诪拽讚砖 than a 诇讘讜砖, because a house is a 讚讘专 拽讘讜注, 转诪讬讚讬, it's something that's set and established and permanent, but a garment is not, nevertheless, concerning the 诪砖诇 that he wanted to bring here, it's more important to use the 诪砖诇 of a 诇讘讜砖 than the 诪砖诇 of a house, because there must be something in a garment which fits more to the 讘讬转 讛诪拽讚砖 than a house. What is the 驻砖讟 here? One of the main differences between a 诇讘讜砖 and a 讘讬转, between a garment and a house, is that a garment fits to the measurement of the person who wears it. By a 讘讙讚, the length and the width of the 讘讙讚 has to fit to the measurements of the length and the width of the person. Shouldn't be shorter, shouldn't be longer. And as the 讚讬谉 is, concerning the 讘讙讚讬 讻讛讜谞讛, which have to be 诇讻讘讜讚 讜诇转驻讗专转, have to be for honor and for beauty, that they must be according to the measurements of the 讻讛谉, as the 讙诪专讗 says in 驻住讞讬诐, 讚祝 住\"讛, 注诪讜讚 讘', and the 专诪讘\"诐, 讛诇讻讜转 讻诇讬 讛诪拽讚砖, 驻专拽 讞', 讛诇讻讛 讚'. But a house, the measurements of the length and the width of the house are much bigger than the measurements of the person. As we find 诇讛诇讻讛, in 诪住讻转 住讜讻讛, 讚祝 讙', 注诪讜讚 讗', and brought down in the 专诪讘\"诐, 讛诇讻讜转 诪讝讜讝讛, the beginning of 驻专拽 讜', and the 讟讜专, 砖讜诇讞谉 注专讜讱, 讬讜专讛 讚注讛, 住讬诪谉 专驻\"讜, 住注讬祝 讬\"讙, that a house that is 讚' 注诇 讚' is 讞讬讬讘 讘诪讝讜讝讛. Only a house that has the measurement of four 讗诪讜转 by four 讗诪讜转 is 讞讬讬讘 讘诪讝讜讝讛, it's a real house, which is much bigger than the measurements of a person. The measurements of a person, as it says in 讛诇讻讛 诇讙讘讬 the 讚讬谉 of 诪拽讜讛, it says in 注讬专讜讘讬谉, 讚祝 讚', 注诪讜讚 讘', and in the 专诪讘\"诐, is an 讗诪讛 注诇 讗诪讛 讘专讜诐 讙' 讗诪讜转. It's an 讗诪讛 by an 讗诪讛, the height of three 讗诪讜转. This is the measurement of a person. Nevertheless, a house is considered only if it has four 讗诪讜转 by four 讗诪讜转. From that, we understand that the connection of a garment to the person is more detailed and closer than the connection of a house to a person that lives in the house. And that's also the reason why when we look at a 诇讘讜砖, we're able to see more details of the person than when we look at a house the person lives in. When we look at a garment of a person, we're able to tell the height of the person, the width of the person, different details of the person. But when we look at a house, we can't know the details of the person. We can have a general idea of what kind of person he is. We could tell whether the person is rich or poor. But details of the person, the height of the person, the width of the person, the shape of the person, we cannot tell. And there's another thing: concerning garments, there are different garments that fit to different parts of the body. There's a special garment for the head, a special garment for the top of the body, the bottom of the body, special garment for the feet. But in a house, there is one house that the whole person lives in. So from all this, we see that the connection of a house to a person is only very general, and the connection of a garment to a person is to the details of the person. And this is the reason why the 诪砖诇 of a garment fits more to the 讘讬转 讛诪拽讚砖 than the 诪砖诇 of a house. Because the 拽讚讜砖讛 of the 讘讬转 讛诪拽讚砖 was not only one general 拽讚讜砖讛, that this was a 讘讬转 诇讛砖诐, a house to 讛砖诐, as the 诇砖讜谉 of the 专诪讘\"诐 in the beginning of 讛诇讻讜转 讘讬转 讛讘讞讬专讛, but there were different different 诪讚专讙讜转 in the 拽讚讜砖讜转 of the 讘讬转 讛诪拽讚砖. There was the 拽讜讚砖 讛拽讚砖讬诐, there was the 讛讬讻诇, the 注讝专讛, and there you had the 注讝专转 讻讛谞讬诐, 注讝专转 讬砖专讗诇, 注讝专转 谞砖讬诐. There was a 拽讚讜砖讛 驻专讟讬转, a specific 拽讚讜砖讛 in every specific part of the 讘讬转 讛诪拽讚砖, which means that every specific physical part of this structure of the 讘讬转 讛诪拽讚砖 fit to the spiritual part that had a connection to that 注谞讬谉, which means that every part was a 讻诇讬 to a different level of 拽讚讜砖讛. Because we know that the 讘讬转 讛诪拽讚砖 was built in a way as the 驻住讜拽 says, 讛讻诇 讘讻转讘 诪讬讚 讛砖诐 注诇讬 讛砖讻讬诇, as it says in 讚讘专讬 讛讬诪讬诐 讗 拽驻讬讟诇 讻讞 驻住讜拽 讬讟, which means that every part of the 讘讬转 was told by 讛砖诐 how to build it, exact measurements. And the reason for the measurements and the exact shape of each part was because that fit to the spiritual part that had a connection to that 注谞讬谉. And as we know that the 讘讬转 讛诪拽讚砖 砖诇诪讟讛 is 诪讻讜讜谉 讻谞讙讚 讘讬转 讛诪拽讚砖 砖诇诪注诇讛, as it says in 转谞讞讜诪讗 诪砖驻讟讬诐 讬讞, and it says in 讝讜讛专 讞诇拽 讘 讚祝 谞讟 注诪讜讚 讘 and many other places, which means that you have the 讘讬转 讛诪拽讚砖 砖诇诪注诇讛, which is the 拽讚讜砖讛, which is only spiritual, and the 讘讬转 讛诪拽讚砖 砖诇诪讟讛 is 诪讻讜讜谉, is exact, like the 讘讬转 讛诪拽讚砖 砖诇诪注诇讛. So every part of the 讘讬转 讛诪拽讚砖 砖诇诪讟讛 was a 讻诇讬 to the 专讜讞谞讬讜转, to the 拽讚讜砖讛 of it. And that is why the 诪砖诇 of a garment fits better than the 诪砖诇 of a house. Because in a house we only see one general connection between the person and the house, but by a 诇讘讜砖, there we see the specific connection between each specific part to the specific part of the person. And therefore we use the 诪砖诇 of a 诇讘讜砖.

Every Part of the Beis HaMikdash as a Vessel for a Specific Level of Kedushah

Now the truth is, this concept that every part of the 讘讬转 讛诪拽讚砖 had a connection to a specific level of 拽讚讜砖讛 applies to the first 讘讬转 讛诪拽讚砖, to the second 讘讬转 讛诪拽讚砖, and even to the 诪砖讻谉, as it says in the 专讘讬谞讜 讘讞讬讬 and the 讗诇砖讬讱 in 驻专砖转 转专讜诪讛. But more than that will be in the 讘讬转 讛诪拽讚砖 讛砖诇讬砖讬. Because in the first and second 讘讬转 讛诪拽讚砖 and in the 诪砖讻谉, you couldn't see 讘讙诇讜讬, in a revealed, open way, the connection between each specific part to the 拽讚讜砖讛 of it. You couldn't tell how this specific measurement and this specific shape had a 砖讬讬讻讜转 to a specific level of 拽讚讜砖讛. All you could see, the very general idea that this was a house to 讛砖诐. The truth is that there was a specific connection to a specific level of 拽讚讜砖讛 in every part, but you couldn't see it. In the 讘讬转 讛诪拽讚砖 讛砖诇讬砖讬, you will be able to see in every part of the 讘讬转 讛诪拽讚砖 the specific 拽讚讜砖讛 that fits to that part. It will be 讘讙诇讜讬. So this 注谞讬谉 of the 讘讬转 讛诪拽讚砖 being like a 诇讘讜砖 fits more to the 讘讬转 讛诪拽讚砖 讛砖诇讬砖讬. And the reason for that is very simple. It says in the 讝讜讛专 讞诇拽 讙 讚祝 专讻讗 注诪讜讚 讗, and in 讞诇拽 讗 讚祝 讻讞 注诪讜讚 讘, that the difference between the first 讘转讬 诪拽讚砖 and the third is that the first two were 讘谞讬讬谞讗 讚讘专 谞砖, they were buildings of human beings, but the third 讘讬转 讛诪拽讚砖 is 讘谞讬讬谞讗 讚拽讜讚砖讗 讘专讬讱 讛讜讗, is the building of 讛砖诐. And even though the first two 讘转讬 诪拽讚砖 were also made as we said before 诪讬讚 讛砖诐 注诇讬 讛砖讻讬诇, they were made through 讛砖诐, but they were built physically by human beings. And therefore, the 拽讚讜砖讛 that's in every single part of the 讘讬转 讛诪拽讚砖, even though it fits to that part because it came 诪讬讚 讛砖诐, but nevertheless, being it was built by human beings, so 讘讙诇讜讬 you can't see the 拽讚讜砖讛 that was put into it. But the 讘讬转 讛诪拽讚砖 诇注转讬讚, the 讘讬转 讛诪拽讚砖 讛砖诇讬砖讬, since the building itself is 讘谞讬讬谞讗 讚拽讜讚砖讗 讘专讬讱 讛讜讗, it will be built by 讛砖诐, so therefore, you will be able to see in all the different parts of the 讘讬转 讛诪拽讚砖 the different levels of the 拽讚讜砖讛.

From the Third Beis HaMikdash to the Whole World: Seeing the Asara Maamaros in Everything

And in truth, this will not only happen concerning the 讘讬转 讛诪拽讚砖 讛砖诇讬砖讬, but 诇注转讬讚 诇讘讜讗 the same thing will happen concerning the world. Because as the 讞讝诇 say in 讜讬拽专讗 专讘讛 驻专砖讛 诇讗 讝, that 诪砖诐 讗讜专讛 讬讜爪讗讛 诇注讜诇诐, that from the 讘讬转 讛诪拽讚砖, the light came out to the world. So whatever happens in the 讘讬转 讛诪拽讚砖 also reflects itself on the whole world. So we find that in the whole world the same thing will happen. We know that 讘注砖专讛 诪讗诪专讜转 谞讘专讗 讛注讜诇诐. The world was created through 10 statements of 讛砖诐. 讘讚讘专 讛砖诐 砖诪讬诐 谞注砖讜, the world was made, the heavens and the earth were made through the words of 讛砖诐. And we know that even though in the 注砖专讛 诪讗诪专讜转 we don't find the words that refer to every single thing in the world, but nevertheless, if we're going to look deeper, whether it's through a 讙讬诪讟专讬讗, or through a different 爪讬专讜祝, a different combination of words, or through 讞讬诇讜驻讬诐 讜转诪讜专讜转, whatever it is, but everything in the world is found in the 注砖专讛 诪讗诪专讜转. And the different shapes of things, and the different weight of things, and colors, and everything else in the world depends on how it's found in the 注砖专讛 诪讗诪专讜转. The same thing is found in the 10 statements of 讛砖诐 when He created the world. We don't see it, but the truth is so. When 诪砖讬讞 will come, it says 讜谞讙诇讛 讻讘讜讚 讛砖诐 讜专讗讜 讻诇 讘砖专 讬讞讚讜 讻讬 驻讬 讛砖诐 讚讘专, as the 驻住讜拽 says in 讬砖注讬讛 拽驻讬讟诇 诪 驻住讜拽 讛, that it will be revealed the honor of 讛砖诐, and every piece of flesh will see 讻讬 驻讬 讛砖诐 讚讘专 that 讛砖诐 spoke. Which means, not only will we then see generally that the whole world was created through the 驻讬 讛砖诐, through the words of 讛砖诐, but we will also see the specific connection between everything in the world to the specific word in the 注砖专讛 诪讗诪专讜转. Because since when 诪砖讬讞 will come we will see the truth of everything, we will see the 驻谞讬诪讬讜转 of everything, the inside of everything, and the 驻谞讬诪讬讜转 of everything is not only the fact that it was created by 讛砖诐, but also the specific word in the 注砖专讛 诪讗诪专讜转 that has a connection to this specific thing. So this is similar to the way the 讘讬转 讛诪拽讚砖 will be, because everything in the world comes as a result of the 讘讬转 讛诪拽讚砖, just like the body depends on the way things are in the brain, so the same, the world depends on the way that things are in the 讘讬转 讛诪拽讚砖. And since 诇注转讬讚 诇讘讜讗, in the 讘讬转 讛诪拽讚砖 we will be able to see how every specific place has a special connection to the specific 拽讚讜砖讛, we will see that specific 拽讚讜砖讛 in that specific place, so the world, too, we will see in everything in the world, in every specific thing in the world, we will see its specific connection to the specific word in the 注砖专讛 诪讗诪专讜转. And this is the reason why the 专' 诇讜讬 讬爪讞拽 讘讗专讚讬讟砖注讜讜注专 used the 诪砖诇 of a 诇讘讜砖 concerning 讛砖诐 showing us the 讘转讬 诪拽讚砖, and mainly concerning 讛砖诐 showing us the third 讘讬转 讛诪拽讚砖, because he wanted to tell us that not only do we see, do our 谞砖诪讜转 see the third 讘讬转 讛诪拽讚砖 generally, but on 砖讘转 讞讝讜谉 we also see the specific parts of the 讘讬转 讛诪拽讚砖, and we also see how each specific part of the 讘讬转 讛诪拽讚砖 has a connection to a specific 拽讚讜砖讛. And as the 专' 诇讜讬 讬爪讞拽 讘讗专讚讬讟砖注讜讜注专 said, when we see it every year, this makes it easier for us to go in the 讚专讱 讛讬砖专. And when we follow in the 讚专讱 讛讬砖专, so then 讛砖诐 says to us, I will give you the 讘讬转 讛诪拽讚砖 讛砖诇讬砖讬. So after 砖讘转 讞讝讜谉, when all the 讬讬讚谉 see the 讘讬转 讛诪拽讚砖 讛砖诇讬砖讬, and it affects them and they start going in 讚专讱 讛讬砖专, we can hope that then 讛砖诐 will give us the 讘讬转 讛诪拽讚砖 讛砖诇讬砖讬 讘诪讛专讛 讘讬诪讬谞讜.

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